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- Burials in the Entrance Hall of the Old Cathedral
- Plaque commemorating Comes Emundus
- Comes Emundus’ grave
- Wall monument to Adam Daemen, 1711–17
- Wall monument to Adolf von Schauenburg, 1561
- Wall monument to Andreas Eschenbrender (d.1717)
- Wall monument to Anton Keyfeld (d.1539)
- Wall monument to Anton von Schauenburg, 1561
- Wall monument to Arnoldus Haldrenius (d.1534)
- Heinrich Birgel, wall monument to Georg von Eyschen
- Wall monument to Ernest of Bavaria (d.1612)
- Wall monument to Ferdinand von Francken-Siersdorf
- Wall monument to Hans Scherrer Britzhemius
- Wall monument to Heinrich Mering, c.1700
- Wall monument to Johann von Veyder (d.1723)
- Wall monument to Maximilian von Otten (d.1725)
- Memorial Plaque of the Wittelsbach Archbishops
- Effigy of Major General von Hochkirchen, 1701
- Tomb of Archbishop Simar
- Tomb of Archbishop von Spiegel
- Tomb of Cardinal Fischer
- Tomb of Cardinal Frings
- Tomb of Cardinal Höffner
- Tomb of Cardinal Krementz
- Tomb of Cardinal Melchers
- Tomb of Cardinal Schulte
- Tomb of Cardinal von Geißel
- Tomb of Cardinal von Hartmann
- Tomb monument with effigy, Walram of Jülich, before 1362
- Tomb monument with effigy, William of Gennep, before 1362
- Tomb monument with effigy, Engelbert von der Mark, 1364–68
- Tomb monument with effigy, Frederick of Saarwerden, before 1414
- Tomb monument with effigy, Count Gottfried of Arnsberg (d.1371)
- Monument to Dietrich of Moers, 1414–63
- Tomb monument with effigy, Conrad of Hochstaden, after 1261
- Tomb monument with effigy, Philipp of Heinsberg, c.1300
- Tomb monument with effigy, Rainald of Dassel, c.1290
- Tomb monument to Archbishop Gero
- Reconstruction of the graves of the Frankish boy and woman
- Sarcophagus of St Irmgard, c.1280
- Wall tomb and shrine to the Blessed Richeza
Tomb monument with effigy, Engelbert von der Mark, 1364–68
Archbishop Engelbert von der Mark (d.1368) had this tomb monument to himself erected in the Chapel of the Cross during his lifetime. The black marble slab on which the pale limestone effigy lies protrudes on all sides. The gisant is clothed in bishop’s vestments. Unusually, the deceased’s hands are not joined in prayer, but simply folded over each other. The limestone male and female mourning figures, which are dressed in the clothes of simple burghers and can be seen beneath the tracery arches on the sides of the tomb chest, were originally painted. They are now protected by a modern grating. These mourning figures, which are typical of French tomb monuments, show signs of early realism.