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- Eagle lectern, 1854
- St Agilulfus altar-piece, c.1520
- Altar-piece of the city’s patron saints, c.1440/45, open view
- Adoration of the Three Magi, circa 1300
- Adoration of the Magi, shortly after 1521
- St. Anne Group with Donor Victor von Carben
- Choir pier statues: St Andrew the Apostle
- Choir pier statues: St Bartholomew the Apostle
- Choir pier statues: St James (the Less) the Apostle
- Choir pier statues: St James (the Great) the Apostle
- Choir pier statues: St John the Apostle
- Choir pier statues: St Jude the Apostle
- Choir pier statues: St Matthew the Apostle
- Choir pier statues: St Paul Apostle
- Choir pier statues: St Peter the Apostle
- Choir pier statues: St Philip the Apostle
- Choir pier statues: St Simon the Apostle
- Choir pier statues: St Thomas the Apostle
- Augusta Plaque, 1895
- Baroque Altar, 1767-70
- Baroque floor-standing candlesticks, c.1780
- Bust of Archbishop von Droste-Vischering
- C. Murdfield, Archbishop Hubertus Theofilus Simar
- Cherubim
- Choir stalls, south-east view
- Choir Stalls from Southwest
- Choir pier statues, Christ
- Pillar Statues in the Choir, Mary
- Chr. Heyden, Antonius Cardinal Fischer, 1905
- Detail of the back wall of the choir stalls facing the ambulatory
- Wrought-iron gate in the choir
- Magi Altar, c.1668–83
- Magi choir stall screen, c.1332–49
- Shrine of the Magi
- Elmar Hillebrand, lectern, 1971
- Elmar Hillebrand, Pope John Paul II commemorative plaque, 1985
- Elmar Hillebrand, Sacrament House, 1964
- Elmar Hillebrand, candelabrum
- Elmar Hillebrand, altar in the crossing, 1960
- Epitaph of Emundus
- Angel and Guardian Angel
- Monument to Konrad Kuyn, cathedral master builder, d.1469
- Epitaph of the Geyr Family, 1760
- Epitaph of Ferdinand von Francken-Siersdorf
- Archangels Gabriel and Michael
- Archangel Raphael and an Angel
- F. Baudri, Johannes Cardinal von Geißel, 1851
- F.P.M. Guillery, Paulus Cardinal Melchers, 1889
- St Felix and St Nabor choir stall screen, c.1332–49
- Friedrich Overbeck, the Assumption of the Blessed Virgin Mary, 1855
- Georg Grasegger, carving of St Michael, 1920
- St George altar-piece, c.1520
- Gero crucifix, c.970
- Guido Gregonti, Joseph Cardinal Höffner, 1977
- Heribert Neuss, marble statue of the Virgin Mary, 1665
- Heribert Neuss, Marble Statue of St. Peter, 1665
- Heribert Neuss, reclining figure of St Engelbert, 1665
- St Anthony of Padua, late nineteenth century
- St. Barbara
- St. Joachim
- St. Joseph
- St. Catherine
- Saint Peter and Saint Irmgardis, c. 1330/40
- St Ursula, early sixteenth century
- High altar, pre-1322
- Rod’s above the entrance to the Treasury
- Jewish privilege, 1266
- Pulpit, 1544
- Candle beam of the Cologne Guild of Pewterers
- Candle beam of the Cologne Guild of Pewterers
- Candle beam of the Cologne Guild of Pewterers
- Candle beam of the Cologne Guild of Tailors
- Altar-piece of the Poor Clares, closed view
- Clapper of the Emperor's Bell, 1876
- Crucifixion of Christ, c. 1330/40
- Crucifixion of Christ, c 1330/40
- Crucifixion, late fifteenth century
- Bartholomäus Bruyn the Elder, Crucifixion altar-piece, 1548
- Crucifixion Altar, c.1500, open view
- Crucifixion Altar, c.1500, closed view
- Crucifixion group, sixteenth century
- Legend of the Cross of St. Irmgardis, c. 1330/40
- Way of the Cross, tenth station, Christ is stripped of his garments
- Way of the Cross, thirteenth station, Christ's body is taken down from the cross
- Way of the Cross, fourteenth station, Christ is laid in the tomb
- Way of the Cross, third station, Christ falls for the first time
- Nave Organ, 1998
- Nave Clock, 1876
- Magirus extendable ladder, 1929
- Milan Madonna, c. 1280/90
- Organ of St Mary, c.1700
- Virgin Mary choir stall screen, c.1332–49
- Mosler-Pallenberg, Phillip Cardinal Krementz, 1889
- Mother of God with Child, c. 1420
- Neo-Gothic furnishings of the axial chapel, 1892
- North Transept Organ with Gallery, 1948 and 1956
- Peter Hecker, Felix Cardinal von Hartmann, 1921
- Peter Hecker, Karl Joseph Cardinal Schulte, 1943
- Peter Hecker, Joseph Cardinal Frings
- Peter Screen, c. 1332-1349
- Principates and Potestates
- Plan F, late thirteenth century
- von Einenberg knight, late fifteenth century
- Konrad Kuyn, sacrament house, c.1460
- Jewellery Madonna without robe
- Jeweled Madonna before 1991
- Display cabinet with processional banner
- Seraph
- St Sylvester and Constantine choir stall screen, c.1332–49
- Thrones
- Tilman van der Burch, St. Christopher, c. 1470
- Toni May, Joachim Cardinal Meisner, 1991
- Annunciation, 1712
- Annunciation Group with Donor Victor von Carben
- Pietà, Westphalia, c.1490
- Virtutes and Dominationes
- Mural above the altar, c. 1330/40
- Wilhelm Mengelberg, aumbry door, c.1890
- Willy Weyres, bishop’s throne, 1952
Milan Madonna, c.1280/90
Legend has it that when Rainald of Dassel brought the relics of the Magi from Milan, he also brought with him a statue of the Madonna. This high Gothic carving of the Milan Madonna was made in the cathedral workshop sometime around 1280/90 as a replacement for the original, which was obviously lost in the fire that destroyed the old cathedral. This is the oldest representation of the Madonna in the cathedral that is said to have miraculous powers. Originally, the painted carving stood beneath a baldachin crowned with a gable on the altar of the Lady Chapel. Like the figures on the choir piers, which it resembles in terms of its posture and garments, the Milan Madonna was influenced by French art. The figure was restored sometime around 1900; the colouring, sceptre and crown date from this period.